The Goetemann Artist Residency Program (GAR)
Bringing artists from around the world. the Goetemann Artist Residency Program has long been a staple of the Rocky Neck Art Colony. In 2024 our programs include Sarah McEneaney as the Distinguished Artist/Teacher in August, Julia Shepley as the Environmental Installation Artist in September and Loren Doucette as the Gloucester Invitational Artist in October. Read details below.
Distinguished Artist/Teacher, August 2024:
Sarah McEneaney
Thursday, March 21, 6:30pm – Zoom Talk. Sarah gave talk about her art, and the workshop she will be teaching in August. View the video here. Sunday, August 4, 2:00 PM – Talk at Cape Ann Museum (27 Pleasant Street, Gloucester, MA) Monday, August 5 – Thursday, August 8, 10AM – 2PM – Artist Workshop at Montserrat College of Art (35 Essex Street, Beverly, MA): Paid workshop, advanced signup required: Workshop Details and Registration.
My paintings are autobiographical narratives. Working from drawings, memory, observation, imagination and photographs I make detailed and highly colored paintings. Personal events, from the mundane to the horrific, describe universal themes as I record the daily life of an artist actively engaged in the world. Though very direct, even factual, the paintings read less as memoir and more like creative non-fiction. The scenes, moments and details are as carefully selected and edited as the formal decisions of color, line and perspective.
Environmental/Installation Artist, September 2024:
Caroline Bagenal
Wednesday, September 11, 7PM: Opening Talk at The Cultural Center at Rocky Neck (6 Wonson Street, Gloucester) Wednesday, October 1, time to be determined: Closing Talk at Ocean Alliance (32 Horton Street, Gloucester)My work is inspired by the world around me, particularly the marsh landscape around Newburyport. Though I trained as a painter, I am now primarily a sculptor working on indoor and outdoor projects. The marsh reed phragmites, became my primary material from which I constructed structures inspired by bird blinds, fish traps, fences, haystacks, and Polynesian stick charts. During the pandemic I made a film about the marsh, documenting how the marsh changed over the course of the year. In August 2021 l fell off my bike and broke both arms and jaw. Swimming outdoors became an important element in my recovery and the origin of my new work. Feed from gravity my body becomes a receptor with heightened senses and, for a time, just another being in the ecosystem of the river. In 2022 I made my first swimming sculptures from recycled nets. The next year I made larger swimming sculptures from recycled woven plastic, bubble wrap and other materials that float. My sculptures derive in part from embroidered photographs which function as a kind of drawing with thread which I use to imagine future sculptures. For the Goetemann Residency, I intend to continue the swimming sculpture project taking it in new directions. I plan to make a film using drones to better convey the idea of the swimmer as part of a vast ocean environment. Future swimming sculptures could be made from materials found on the seashore. I will continue to use embroidery on photographs to explore ideas. My father was a marine biologist. While going through his books and papers I decided to use some of his research for my project in part as a homage to him.Biography Caroline Bagenal was born in Scotland and lives in Newburyport, MA, and Cumbria in the UK. She has an MFA in Painting and an MA in Modern Art History, Theory and Criticism from the School of the Art Institute of Chicago. Her work has been shown widely in both the UK and USA including The Maritime Museum in Liverpool and OIA Gallery, New York. Her work has been reviewed in Boston Art Review, Sculpture Magazine, The Boston Globe, Art New England, Artscope and other publications and is included in both private and corporate collections. She has received numerous awards and artists residencies, most recently in 2023 at Cove Park, Scotland. She was an Associate Professor at Montserrat College of Art for twenty-five years.
Gloucester Invitational Artist:
Loren Doucette, May 2024
Thursday, October 10, 7 PM: Opening Talk at The Cultural Center at Rocky Neck (6 Wonson Street, Gloucester)
Sunday, November 3, 1-3PM: Closing Talk/reveal of work-in-process, Cripple Cove Studios (97 East Main Street)
My work is a search, an asking, a prayer. Even though the subjects are sometimes recognizable as landscape, flowers or figures, it is about recalibration, remembering, revisiting, reconstruction and discovery. I mainly use three mediums: oil, acrylic and pastel. I use oil for it’s heaviness; the messy squishing and sloshing takes me to more unruly places than acrylic can. I use acrylic on the other hand for it’s vibrancy. It’s quick drying qualities allow me to draw into the work in between paint layers. Finally, pastel is where I draw and construct from flowers and landscape with overlying abstraction and color experimentation. Within all these mediums, I am searching for a new discovery to unfold both in the materials and spiritual content.
Loren’s website: lorendoucetteart.com